APAP: On Grand Jury Resisters, the Latin Kings, CeCe McDonald, and Pussy Riot

When members of the Almighty Latin King and Queen Nation in North Carolina were first arrested in a brutal raid, the big picture was clear to their friends, family, and colleagues in Greensboro. The ALKQN in NC have been very politically active, with King Jay (Jorge Cornell) running twice for city council and negotiating a gang truce. The gang truce in particular threatened the existence of a new, lavishly funded gang task force in Greensboro, part of the decades-long national trend of funding such carceral endeavors as opposed to schools and community programs.

Across the country, another community is under attack: that of activists in the Pacific Northwest, with homes being raided in search of incriminating books and more activists being subpoenaed every day. Within left circles, there has been a heartening amount of press and support for the resisters. Last week, Anonymous announced a new campaign in support of the Pacific Northwest Grand Jury Resisters. Contrasting that with the paltry amount of attention granted the case of the Kings parallels the difference between the airtime given Pussy Riot versus CeCe McDonald. The crime that CeCe McDonald committed was surviving a racist, transphobic attack on her life. But like Pussy Riot, the Grand Jury Resisters have the benefit of being young and attractive (and thus easily incorporated, despite their radical politics, into the spectacle of fashion). And, like Pussy Riot, their crime is perceived to be ideological. Thus their innocence is more explicit. One doesn’t have to take a stand against all prisons or prison society writ large to sympathize with their plight.

The NC Kings are being prosecuted under RICO, or the Racketeering Influenced and Corrupt Organizations Act. RICO is a federal litigation tool with a deeply convoluted history during which it has attempted to rid Teamsters of Mafia influence (which mostly resulted in obstructing democracy within the Teamsters), been disproportionately applied to people of color and weaponized against activists ranging from the Black Liberation Army to People for the Ethical Treatment of Animals. As a tactic of State repression it is a part of a larger effort to dismantle and delegitimize left and POC communities.

The Greensboro Legal Defense Fund has worked tirelessly to support the Kings throughout the usual moves from prison to prison, challenges in getting adequate legal representation, and disregard for medical needs. The GLDF are heavily constituted of women and queers, who are neighbors, friends, family friends, and colleagues with the Kings—a community. In addition to the partners and children of the Kings, the local anarchist community has played a huge part in doing this work, “performing the arduous labor of being on the outside for someone—trying adequately to switch among the many and sometimes conflicting roles of caregivers, wageworkers, and justice advocates”. Disdain or disinterest from the national left has come through informal channels, but usually involves questions about the perceived homophobia or misogyny of the Kings.

Why are the Kings subject to such deep scrutiny while other political prisoners are not? This demand for perfection in those we support is unreasonable, a distraction from the larger issues with mass incarceration and State repression, and often seems to be deployed only on POC prisoners. Some in the national anarchist community see the language of kings and queens as reinforcing hierarchy, but the GLDF knows these titles are about dignity, not domination. “We may not all desire to be kings and queens, we all desire to be the masters of our own destiny.”

If you are supporting grand jury resisters but not the ALKQN, I urge you to broaden your analysis. If you (like Madonna, Bjork, Julian Assange, Amnesty International, and Yoko Ono) are supporting Pussy Riot but not CeCe McDonald, I urge you to broaden your analysis—because all prisoners are political.

 

(Photo Credit: PrisonBooks.Info)

About Beck Levy

Beck Levy is an artist and writer living in Washington, DC. Her work explores marginal and fringe realities: political, personal, and supernatural. Her research interests are prison abolitionism, critical disability studies, and witchcraft. Beck publishes printmaking and art under the imprint Astropress. She performs in the band Hand Grenade Job. You can catch her performing guitar in Ragnar Kjartansson's "Woman in E" at the Hirshhorn Museum & Sculpture Garden. In her free time, Beck immerses herself in speculative fiction and sends postcards to far-flung beloved friends.